Thursday, January 17, 2013

CLAY TRANSFERS: TRIALS

Trying some new ceramic techniques that I have been wanting to do for a long time: this one was image transfer onto clay. As you can see in the photo, my first try was not successful. I followed along with a wonderful video on the ceramic arts daily blog from the artist Kristina Bogdanov. She said to use soft leather hard clay. That was my first mistake. I am impatient, and I am doing this in the ceramic studio of the Phoenix Center for the Arts, where it is only a three hour session each week. So at the beginning of "class" I rolled out a few slabs of clay and let them air dry for about 2 hours. Kristina also said to make the "ink" the day before. I made mine that morning. That was the second mistake. So after following the steps of using gum arabic as a resist and inking up my xerox "plates" I placed the wet paper onto the mostly wet clay. She said the paper would start to look dry and I could then burnish it and pull it off. It never got the dry look. I even took them home to dry longer. After burnishing, while pulling off the paper, all there was left was a faint trace image and lots of stuck on paper.

In the second try, I let the clay get leather hard and the ink set for two days. I had excellent success with the transfer. Of course, now I have to wait for them to be fired. I'll keep you posted.

2 comments:

  1. I love everything transfer. Despite frustration, when it works, it's great. I don't do clay, so all my transfers are on paper or canvas.

    Can't wait to see how this looks after firing!

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    1. I will let you know what happens. Thanks for your comments, Barb.

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